1/3/2024 0 Comments 2021 space odysseyUntil Dave is prepared to advance to the following stage of evolution, this location can be considered a holding area for him. According to Stanley Kubrick, Dave is “put in a human zoo roughly resembling a hospital terrestrial environment drawn out of his fantasies and imagination” in this habitat. This area also immediately exudes a sense of separation from the outer world and technology. Dave’s spaceship appears inexplicably towards the conclusion of his adventure in a space with white walls. In other words, technology is beyond man’s control, necessitating the next stage of human evolution.Īfter defeating HAL, Dr Dave Bowman, a scientist aboard the Discover One, is taken into another realm or dimension. The instruments that previously helped us advance are now holding us back. The final threat HAL poses to human security is revealed, and we are given an intriguing conundrum. HAL 9000, a computer on board their spacecraft that is possibly more sophisticated than humans, serves as a representation of this evolutionary leap. The race to the stars is currently the logical next phase in the evolution of the human species. Later on, the film’s last sequence parallels this passage of time.Ī monolith makes a second apparition when humanity is on the cusp of an evolutionary leap. When a floating spaceship is spotted in space, Stanley Kubrick cuts from the first stage to the following one, thus moving the action forward by four million years. Only a few apes move on to the next stage of development once they start utilising tools, while the others are doomed to extinction. The monolith offer direction for the course of evolution. The monolith’s appearance is a metaphor for the following stage of evolution. A mysterious alien power that takes the form of a monolith pays them a visit. The apes are just beginning to evolve in the movie’s opening sequence. From the beginning until the end of the film, without using words. The closing sequence of the 1968 film 2001: A Space Odyssey, which has been researched and plotted out, completes the circle initiated in the film’s first scene. As a visual storyteller, Stanley Kubrick prioritises images above words in his works. It’s worth noting that Stanley Kubrick commented in response to a query about his 1968 film 2001: A Space Odyssey, “It’s not a message that I ever seek to express in words.” Seeing the film is a “nonverbal experience.” There are no words or speech throughout more than two-thirds of the film. The switch panels, display systems, and communications equipment for the spacecraft interiors in the film were designed by Kubrick’s team of astronomical artists, aeronautics experts, and aerospace engineers to create the highest level of technical realism.
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